Ahmed Fahmy.. "Abu Dam Khafif", who excelled in the roles of the grandfather

A history of comedy punctuated by some dramatic experiences and successful excitement, made by the artist Ahmed Fahmy , since his star dawned on the scene in 2008 with the movie “ Code Paper ”, in a powerful trilogy in which he participated with the stars Hisham Majed and Shekou, and they presented together at that time several successful films such as “ Samir and Shahir”. And Bahir " in 2010, and then the arrow of success began to climb until it reached the top, so that "Fahmy" became one of the most famous comedy stars in Egypt, and a movie window star on his own that the audience searched for to enter his films and achieve strong revenues among competing films.

The comedy presented by Fahmy differed from that of his colleagues, and he was also characterized by daring in some roles, as at a time when Hisham Majed and Chico rejected the role of the man who turned into a girl in the movie “ Banat Al Uncle ”, his body was Ahmed Fahmy with great humor that appeared on the screen, and he did not Fahmy's success is not only limited to cinema, but he also made his way in comedy series with the trilogy in the series " The Jujube Man ", in 2013, which is considered one of the signs of comedy series, and success continued until fate willed the division between the trio.

After he separated from "Majid" and Shekyo, he was able to continue his success, and this appeared in the series " Wind of Madam ", in which Fahmy's talent was manifested in that he could represent various different personalities in the framework of funny situations, as he played more than 20 different characters over the course of 30 episodes. With humor, he dazzled his audience, as he proved his ability to study well the scenario and his diligence to get the best out of him. Until now, the characters of this series are considered “iconic” in epiphanies and comedies, and they are also fertile material for “memes” and “comics” on communication sites.

And because comedy, as described by critics, is “ the most difficult kind of art ”, so whoever masters it is a real actor who is able to embody any kind of art with conviction . The light shadow of the comedian is able to appear with this seriousness and has great energy in embodying evil, but because Ahmed Fahmy was able to do so easily, he showed the audience a real talent that he did not know in his ability to represent drama and psychological transformations.

“Al-Arif”, which was produced last year 2021, was not the only one with which Ahmed Fahmy rebelled against comedy, but also “Fahmy” appeared during the movie “Casablanca” in 2019, with a new color for the audience, which is action and movement, despite the short scene of the “Mexican” role. However, he played a pivotal role in the film, as he played the role of the narrator of the work’s story, and his appearance during the last scene changed the course of events, until the phrase “The Mercy of the Mexican” became an icon on the Egyptian street, and it is the character that the artist embodied.

From acting to writing and presenting programs, we find Ahmed Fahmy multi-talented, so he wrote films from the signs of Egyptian cinema in comedy, and its heroes are great stars, such as “ Keda Reda ” by Ahmed Helmy, and “ Pushkash ” by Mohamed Saad, and “ Passel and We Return ” by Karim Abdel Aziz, And “ H Wasp ” by Ahmed Makki, in addition to the films and series in which he co-starred, such as “ The Jujube Man ”, “ Sharafah Paper ” and “ My Dog ”.

Currently, the artist is preparing to revolt against the comic color that the audience is accustomed to, to continue the action and drama series in the series " The Killer... in Cold Blood ", and he is also preparing for the movie " Mr. X ".

On the family side, Fahmy is keen to express his love for his wife, the beautiful artist here Zahid, from time to time, and their images always lead the trend.

In the end, " Speciali " congratulates the artist Ahmed Fahmy on his 42nd birthday, wishing him a long life, and more brilliance and successes.