Between "guardianship" and "lineage" .. two series that end with raising important issues in the court arenas

Exciting issues, sparked by the stars of the Ramadan series this year, reveal the gaps in Egyptian law, and the injustice that women may be exposed to, as they opened thorny files that have no solutions on the ground, to raise issues that have long occupied the minds of a sector of women, to shed light on them in the hope of changing them in The new Personal Status Law, which is still being discussed by the Egyptian Parliament.

"Speciali" reviews series that ended in the court arenas, leaving behind a controversy over the issues of mixing genealogies and guardianship of children.

Mona Zaki in "Under Guardianship" In a touching scene that blew hearts, Mona Zaki stood in the court square with the character "Hanan", which she embodied in the series "Under Guardianship", where she fought throughout the series in order to obtain guardianship over her children after the death of their father, which the law gives to the grandfather in the first place and then the uncle upon the death of the grandfather. According to Egyptian law.

Hanan is arrested on charges of theft. A touching scene takes place that embodies the suffering of a mother for the sake of her children. Hanan talks about her children, what bothers them and what they love. The court recommends telling whoever will be their guardian to take this into account, but the judge tells her that this is not found in the law.

The court issues its decision to imprison Hanan for a year on charges of stealing the boat. At the end of the episode, Yassin, her son, tries to take the deportation vehicle with her, in a touching scene, amid the tears of Hanan and her son's tears, but she tells him that he has now become a father, mother, and brother to his younger sister Farah, and the episode ends with that.

Reham Hajjaj in "Beautiful" A case of heavy caliber, which was triggered by the artist, Reham Hajjajou, in the last episode of the series “Jamila”, which was shown in the Ramadan race, where she opened the file of the case of mixing genealogies, and the law that stipulates “the son of the bed”, that is, the lineage of the son in which the wife bears to the person who is married to the woman. Even if he is not his son.

With a wonderful performance, “Beautiful” Reham Hajjaj pleads, and recounts the injustice that she was subjected to after the microscopic injection doctor deceived her and manipulated the sample, which made the fetus not her husband’s son, but the traitorous doctor’s son, so she knows the matter, but she cannot abort because it is illegal, and she also knows very well That this child will belong to her husband, even though he is not his son, given that the law stipulates that “the son belongs to the bed.”

In the end, she asked that laws be enacted that allow abortion in public in individual cases that require it, and that abortion be safe without harming the mother.