Kazem El Saher remembers the poet Nizar Qabbani

Qaisar Kazem El Saher chose the anniversary of the poet Nizar Qabbani's passing as an opportunity to renew his discussion of his last collaboration with the poet before his passing in 1998, emphasizing the deep connection that still binds him to his distinguished poetic legacy.

A video bringing together Kazem El Saher and Nizar Qabbani Al-Saher posted a clip from an old TV interview on his official Instagram account, in which he recounted the details of his last artistic collaboration with the late poet Nizar Qabbani. He emphasized his determination to complete writing the poem "Impossible Love" despite his struggles with illness, noting that he had categorically refused to postpone writing it at the time, determined to complete it until the final moments of his life, as he put it.

Al-Saher also accompanied the post with a comment in which he said: “When I am asked about my favorite poems that I have composed for the late Nizar Qabbani, I say all of them, even if it would be cowardly not to choose, as each one has a distinct taste, color, scent, and delicate feeling that makes each one of them highly preferred.” He directed his question to the audience, saying: “Can you choose one over the other?”

Public interaction with the post Kazem El Saher's fans and followers interacted on Instagram with his deep-seated loyalty to the late poet Nizar Qabbani and his keenness to remember him with touching words, amidst great praise from followers for the unique artistic singing experience that brought together Kazem El Saher and Nizar Qabbani.

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Distinctive collaborations brought together Al-Saher and Qabbani Kazem El Saher presented a collection of the most prominent poems written by Nizar Qabbani, transforming them into immortal songs in the Arab artistic memory, including: School of Love, Choose, Impossible Love, Say I Love You, Barefoot, Increase My Love, and You Say Love, so that this duo remains one of the most influential experiences in the history of modern Arabic song.