<p style="text-align:right;;text-align:left;direction:ltr"></p><p style="text-align:right;;text-align:left;direction:ltr">A troupe that is always different and swims against the tide, which has given it a unique position with its various topics. It is the Palestinian theater troupe “Yes,” which presents its distinctive performances in the Arab world. The troupe has achieved a new distinguished success in its career by presenting the play “Pedro and the Captain” at the Alexandria Theater Festival.</p><p style="text-align:right;;text-align:left;direction:ltr"> The Yes Band won, as part of the Alexandria Festival Awards, the award for Best Actor, First Place, which the artists Raed Al-Shuyoukhi and Mohamed Al-Titi received equally for their role in the play Pedro and the Captain, the award for Best Integrated Theatrical Work, Best Direction, Best Decoration, and Best Lighting.</p><p style="text-align:right;;text-align:left;direction:ltr"> Out of love for their country and homeland, beloved Palestine, the band dedicated their awards to their homeland, Palestine, and to all its supporters, supporters, and lovers.</p><p style="text-align:right;;text-align:left;direction:ltr"> The theatrical show received a strong interaction from the audience at the time of its showing. The audience is naturally enthusiastic about any show coming from Palestine in particular, and the show was greater than the audience’s hopes in terms of creative acting and a strong script, as “Pedro and the Captain” belonged to the duet drama, which is to stand Two artists are facing each other and an acting match is taking place.</p><p style="text-align:right;;text-align:left;direction:ltr"> The show embodied the steadfastness, pride and dignity that Palestine enjoys, which caused the audience’s applause to shake the stage after the show ended.</p><p style="text-align:right;;text-align:left;direction:ltr"> Ihab Zahida, the director of the show, said that the idea of the play “Pedro and the Captain” is something like an answer to the question: Why? Through what process can a natural being be transformed into an executioner, and this play is not a confrontation between a monster and a saint, but rather two men, beings of flesh and blood. Each of them has weaknesses and points of resistance, the distance between the first and the second.</p><p style="text-align:right;;text-align:left;direction:ltr"> The show’s team includes the artist Raed Al-Shuyoukhi, Muhammad Al-Titi, technical implementation by Hammam Amr, production management by Muhammad Issa, and the show is based on a script by Uruguayan writer Mario Benedetti, designed and directed by Ihab Zahida.</p>