Zuhair Bahaoui achieves overwhelming success, reaches global records, and surpasses Moroccan stars.

Zouhair Med Bahaoui, born November 22, 1995, is a Moroccan pop and rai singer and songwriter. He gained widespread Arab fame after releasing the song "Hasta Luego" in 2017, which became a popular single in Morocco and the Arab world.

Zouhair Bahaoui began his musical career after winning the Hatim Amor competition in 2016 and received an award for releasing his first song, "I Don't Know You", in 2016.

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Zouhair Bahaoui continued his successes by releasing the trio song "Hasta Luego" in collaboration with artists Elias Tio Tio and CHK, as well as by releasing his first album "Vapor" in 2019, which contained several songs that broke records, such as the song "Decapotable".

The lyrical biography of Zuhair Bahaoui Zuhair Bahaoui presented a group of singles: I miss seeing you After me You don't know me I didn't think so • Mother Give me a chance • Ask me about the sale I wanted to fall, but I didn't feel it • my dear • The wink • Desoli • Hasta Luego • Decapotable • Me and me • Come on guys • Dinero • Vapor We have to be patient • To the other side

Zdenaya song Moroccan artist Zouhair Bahaoui has released a new song on his official YouTube channel, marking his return to the duet genre after the success of his previous releases.

Zuhair Bahaoui chose his new song for this season to be a joint project that brings him together for the first time with the Spanish star Omar Montes, after months of preparations in the studio. It is titled “Zednaya.”

This work is signed by Zuhair Bahaoui, Mohamed Sharif, and Omar Montes on the level of writing the lyrics, as each one was responsible for a part of the piece. Bahaoui supervised the composition of the melodies, and assigned the musical arrangement to Mohamed Sharif.

This new song, which adds to the "La Grinta" singer's repertoire, features a musical style that blends modern Moroccan rhythms with Spanish and Latin influences, with an energetic style that suits the summer atmosphere and a youthful musical combination that pulsates with rhythm and energy.

Just two hours after its release, the new song by Zuhair Bahaoui and Omar Montes entered the list of most-watched works on YouTube in Morocco and a number of European and Arab countries, achieving more than thirty thousand views.

Zuhair Bahaoui's concert cancelled Meanwhile, Moroccan artist Zuhair Bahaoui has cancelled his concert in Belgium, which was scheduled to coincide with Valentine's Day celebrations. According to currently available information, the concert was canceled for financial reasons related to the organization, with no further details revealed by the organizers or the artist himself.

The concert was highly anticipated by fans in Belgium, but the sudden decision raised questions about the real reasons behind its cancellation.

It is noteworthy that the concert included, in addition to Bahaoui, the artist Saida Charaf, Youssef Louzini, Abdo El Wazzani, Abdelmoula, Youssef Bahar, Celia Ziani, and Hamouda Khairi.

The Moroccan artist has achieved millions of views on the global video-sharing website YouTube, where Zuhair Bahaoui chose his personal account on the social networking site Instagram to present the song “Baghit Wa Gaa Ma Hasit” with a distinctive and exceptional performance.

The video received a great response from the followers, especially since the song is considered one of the old songs, and my followers call it the song of the old generation.

It is noteworthy that the song "Baghit Wa Gaa Mahsit" was released by the Moroccan artist, Zuhair Bahaoui, on YouTube 11 years ago, and has achieved more than 30 million views to date.

Zuhair Bahaoui signing the Montreal Golden Book Moroccan artist Zouhair Bahaoui expressed his extreme happiness at representing Morocco after signing the Montreal Golden Book in Canada during an evening of artistic activity. Zuhair Bahaoui shared with his fans and followers, via his personal Instagram account, a collection of photos documenting this moment, and commented, saying: “I am honored to sign Montreal’s Golden Book.”

Bahaoui thanked his fans for their continuous support, writing: “Thank you so much for this honor. I am very happy to represent my country, Morocco, in the world. Special thanks to my fans… See you soon, God willing. Love and appreciation.”

It is noteworthy that the latest work of the Moroccan artist Zuhair Bahaoui is a song titled "Makareb", which he released two weeks ago on his channel on the video-sharing platform YouTube, and it has garnered more than one million views.

Zuhair Bahawi's marriage Moroccan artist Zuhair Bahaoui tied the knot in a secret wedding ceremony, far from cameras and the curiosity of social media users. Last Thursday night, the celebration was held in a special ceremony attended by family and close friends, amidst an atmosphere of joy and happiness.

According to media reports, the ceremony was organized with tight security measures, with Hawi enlisting the help of a female band to ensure the event was not filmed, reflecting his keenness to maintain privacy on this special occasion. However, Zuhair has not yet announced his marriage on his official accounts, raising questions among his fans about the details of his personal life.

This step comes at a time when Hawi is enjoying great popularity, and this secrecy about his marriage has aroused the curiosity of many of his followers, making them eager for more information.

Zuhair Bahaoui outperformed Saad Lamjarred Singer Zouhair Bahaoui has surpassed his fellow countrymen Saad Lamjarred and Manal Benchlikha, after ascending the throne of trends with his new song "Ma Aqdar" as the most viewed and listened to song in North Africa.

Bahaoui not only outperformed Moroccans but also many artists across the Arab world, with his song garnering over 14 million views in just a few days. Many attribute Bahaoui's stature to his diligent singing and his ability to write stunning songs that appeal to today's audience.

On the one hand, with each new song, Zuhair Bahaoui is keen to expand the concept of pop and open it to the transformations of contemporary music. His latest songs are distinguished by their focus on imagery, paying attention to it in terms of photography, colors, and lighting. His music videos are considered works of art in and of themselves, as they crystallize a new concept within this industry, following the technological boom that swept the world of cinema, while the music scene remained immune to consideration.

With each new song, Zuhair Bahaoui works to settle in unthinkable wastelands in terms of photography, while continuing his successes in terms of writing and musical taste.

Bahaoui's songs are diverse, but they all revolve around themes related to love, passion, and betrayal. Some believe that the artist's interest in such topics increases viewership and prompts young Moroccans to follow his songs. However, this is not true when compared to the artistic production of songs such as "Ma Aqdar," "Follow," "Nari," and others. These are works that celebrate imagery first and foremost. Imagery is a fundamental element in contemporary song, as the latter is a complex work in which sound, image, and rhythm blend to form an artistic blend whose features and aesthetics are difficult to grasp unless one truly possesses some of the mechanisms of artistic appreciation and aesthetic intuition to sense the song's themes and aesthetics.

"Ma Aqdar" (I Can't) outperformed Saad Lamjarred's "La Carousel" and Manal Benchlikha's "Mahboula." Both songs, however, demonstrate a significant focus on visual elements and aesthetics. "Ma Aqdar" explores popular pop music using different rhythms. Benchlikha, meanwhile, attempts to recapture 1990s rai, both in terms of writing and photography. This reliance on this lyrical style seems unfamiliar to the listener. As for Saad Lamjarred, his approach to visual elements is based on playing with and expressing himself through light.

These songs share the same belief that they rely on the image as an introduction to the song, not the other way around. Meanwhile, the song intersects at the level of genre, rhythm, and visual expression.